Cinderella (musical) - Wikipedia. Rodgers and Hammerstein's Cinderella is a musical written for television, with music by Richard Rodgers and a book and lyrics by Oscar Hammerstein II. It is based upon the fairy tale. Cinderella, particularly the French version Cendrillon, ou la Petite Pantoufle de Verre, by Charles Perrault. The story concerns a young woman forced into a life of servitude by her cruel stepmother and self- centered stepsisters, who dreams of a better life.
Fan Info: Rodgers + Hammerstein’s CINDERELLA has arrived on Broadway for the first time ever!
Cinderella Full Movie (2015) Online Watch Free, English Subtitles Full HD on HuluMovies.Org, Free Movies Streaming, Free Latest Films. Directed by Andy Tennant. With Drew Barrymore, Anjelica Huston, Dougray Scott, Patrick Godfrey. The 'real' story of Cinderella. A refreshing new take on the classic. A Cinderella Story movie reviews & Metacritic score: In this twisted and hilarious update of the classic fairy tale, Hilary Duff stars as a high school senio.
With the help of her Fairy Godmother, Cinderella is transformed into a Princess and finds her Prince. Cinderella is the only Rodgers and Hammerstein musical written for television. It was originally broadcast live on CBS on March 3. Julie Andrews, who played the title role.
The broadcast was viewed by more than 1. It was subsequently remade for television twice, in 1. The 1. 96. 5 version starred Lesley Ann Warren, and the 1. Brandy Norwood in the title role. Both remakes add songs from other Richard Rodgers musicals.
The musical has also been adapted for the stage in a number of versions, including a London West Endpantomime adaptation, a New York City Opera production that follows the original television version closely and several touring productions. A 2. 01. 3 adaptation starring Laura Osnes and Santino Fontana, with a new book by Douglas Carter Beane, opened in 2. Broadway. History. Broadcast versions of Annie Get Your Gun, Wonderful Town, Anything Goes and Kiss Me, Kate were all seen during the decade. It was a hit, and the network looked for more family- oriented musical projects.
Richard Rodgers had previously supplied the Emmy Award- winning score for Victory at Sea, a documentary series about World War II. NBC approached Rodgers and Hammerstein and asked them to write an original musical expressly for television (rather than merely adapting an existing one to the television special format), then a novel idea. The team decided to adapt the fairy tale Cinderella and, new to television, they sought the advice of an industry insider, Richard Lewine. Lewine was then the Vice President in charge of color television at CBS. He told Rodgers and Hammerstein that CBS was also seeking a musical project and had already signed Julie Andrews, who was then starring in My Fair Lady on Broadway.
Rodgers recalled, in his autobiography: . CBS announced the production on September 5, 1. In adapting the famous fairy tale, .
Children can be very critical on that score. But, of course, their parents will be watching too, so we have tried to humanize the characters without altering the familiar plot structure.
In an interview with Time Magazine, Hammerstein said that . Emmy Award- winning director Ralph Nelson and choreographer Jonathan Lucas, who had choreographed for The Milton Berle Show, were both experienced with musical material on television. Rodgers' friend, Robert Russell Bennett, provided the orchestrations. Alfredo Antonini, a veteran with CBS, conducted. In early March, the company moved to CBS Television Color Studio 7. The 5. 6 performers, 3.
RCA TK- 4. 0A color TV cameras, a wardrobe of up to 1. The orchestra played in a small room with special equipment to overcome the suppressed acoustics. CBS invested in a massive marketing campaign, as did the sponsors.
The ladies of the kingdom are thrilled at the prospect of meeting him. Cinderella, whose beloved father has died, takes care of the home of her ill- tempered and selfish stepmother and stepsisters. She carries all of their shopping parcels for them, and when they return home, all three order Cinderella about. Left alone in her corner near the fire, she dreams of living an exotic life as a princess or anything other than a servant (. Meanwhile, the King and Queen get ready for the big celebration (. They hope that their son will find a suitable bride, but the Prince is a bit apprehensive about meeting all the eager women of the kingdom. The Queen is touched by overhearing the King's discussion with his son and tells him she loves him (.
Finally they leave, and Cinderella imagines having gone with them (. Cinderella's Fairy Godmother appears and, persuaded by the fervor of Cinderella's wish to go to the Ball, she transforms Cinderella into a beautifully gowned young lady and her little mouse friends and a pumpkin into a glittering carriage with impressive footmen (. The Prince has been bored by the attention of all the young ladies with whom he has had to dance, including the stepsisters. Cinderella's grand entrance immediately attracts everyone's attention and intrigues the Prince. They dance together and instantly fall in love (. Seeing the Prince with a petite beauty (whom they do not recognize), the stepsisters ask why he wouldn't prefer a substantial .
The Prince and Cinderella dance and find themselves with a private moment, and he declares his love for her (. As they share a kiss, the clock begins to strike midnight, and Cinderella flees before the magic wears off; but in her haste, she drops a glass slipper. Act III. Meanwhile, the Prince is searching for the beauty with whom he danced, and who fled so quickly from the Ball. His Herald tries the slipper on all the women of the kingdom (. At Cinderella's house, the slipper will not fit any of the ladies. Cinderella's stepmother tries to steer the Herald away from the servant girl, Cinderella, but she is not home; she is hiding in the Palace garden. The Herald returns to the palace garden and regretfully informs the Prince that he has not found the missing girl.
The Herald then sees Cinderella hiding and places her under arrest. Prodded by the fairy godmother, he tries the slipper on Cinderella. It fits, and the Prince is called back to the garden, where he recognizes his beloved (. Cinderella and the Prince marry, and all ends happily. Musical numbers! It also featured Howard Lindsay as The King, Dorothy Stickney as The Queen, Edith Adams as the Fairy Godmother, Kaye Ballard and Alice Ghostley as stepsisters Portia and Joy, Ilka Chase as the Stepmother, and Iggie Wolfington as The Steward. Betty Noyes played a mother in the ensemble who sings a brief solo, and Joe Layton appeared uncredited in the ensemble.
Beyond the United States, it was carried by CBS affiliates in the U. S. The equipment was not yet capable of recording color video. The 1. 95. 7 premiere had been broadcast before videotape was available, so only one performance could be shown. CBS mounted another production in 1. Richard Rodgers as Executive Producer. This re- make, commissioned by Rodgers (Hammerstein had died in 1. Joseph Schrank, used a new script that hewed closer to the traditional tale, although nearly all of the original songs were retained and sung in their original settings.
A new sequence opens the story: the Prince stops at Cinderella's house with his retinue for a drink of water after returning from his travels. Cinderella, home alone, and not knowing who the handsome traveler is until a page utters the words . Shortly after the Prince leaves, he sings . The names of the stepsisters were also changed from the original production, and the Royal Dressing Room Scene was omitted. The cast featured Ginger Rogers and Walter Pidgeon as the King and Queen; Celeste Holm as the Fairy Godmother; Jo Van Fleet as the Stepmother, with Pat Carroll and Barbara Ruick as her daughters Prunella and Esmerelda; and Stuart Damon as the Prince. Lesley Ann Warren, at age 1. Freedman and directed by Robert Iscove, with choreography by Rob Marshall.
It was produced by Whitney Houston and Debra Martin Chase for Walt Disney Television and aired on November 2, 1. This version featured a racially diverse cast, with Brandy Norwood as Cinderella, Whitney Houston as her fairy godmother, Bernadette Peters as Cinderella's stepmother, Paolo Montalb. Several songs were added, including . The stepsisters' names are changed to Calliope and Minerva. Disguised as a peasant, the Prince (feeling isolated in the castle) wanders in the marketplace (worrying his herald, Lionel), meets Cinderella, and they find each other charming. At the ball, embarrassed by questions about her family and background, Cinderella escapes to the garden in tears, where the Fairy Godmother appears for moral support.
After her stepmother returns from the ball and is particularly cruel, Cinderella packs her belongings to run away from home. Her Fairy Godmother advises her to share her feelings with the Prince. After trying the slipper on all the other maidens, the Prince and Lionel overtake Cinderella on her journey to freedom. Meeting her gaze, the Prince recognizes her and places the slipper on her foot. At their wedding, the Fairy Godmother blesses the couple.
Stage productions. Harold Fielding produced this version, which opened on December 1. It revived the production in 2.
Eartha Kitt as the Fairy Godmother and Dick Van Patten as the King, among other television stars. The production was directed by Bobby Garcia, with choreography by Vince Pesce. Costume design was by Renato Balestra, with sets by David Gallo and lighting by Paul Miller. The tour started in Manila, Philippines, on July 2. The show then went on to several cities in China, including Xian, Zhengzhou, Chongqing, Shenzhen, Gunagzhou, Shanghai, Beijing and Hong Kong. It then toured in Thailand, Singapore, Malaysia, Korea, and Japan. The production ran throughout August 2.
Shinjuku Koma Theater in Tokyo. The lead roles of Cinderella and the Prince were performed by Morning Musume members Ai Takahashi and Risa Niigaki. In his plot, Cinderella opens Prince Topher's eyes to the injustice in the kingdom. The prince's parents have died, leaving the kingdom in the hands of a villainous minister who has been the prince's mentor and has duped his young charge into approving oppressive legislation. The score includes the best- known songs from the original version and four more songs from the Rodgers and Hammerstein catalogue.
A report in The Guardian commented that . Variety estimated that 2.